Year of release: 2018 Directed by Leena Pendharkar. Starring Vivian Kerr and Anthony Rapp.
In some ways, Scrap is an extended trailer, a hint of a feature film to come that will hopefully be equally thoughtful and compassionate. At the same time, as a twenty-minute short it functions well as a brief window into a couple days in the life of a homeless woman.
Beth, played by scriptwriter Vivian Kerr, lives out of her Prius while desperately driving to various job interviews in the LA area while hiding the state of her life from her brother Ben (Anthony Rapp) and her daughter Birdy (Skylar Hill) who has been staying with her uncle. Additionally, Beth travels from neighborhood to neighborhood to find a place to park her car and sleep in the back seat where she won’t be harassed.
Reasons for harassment include a vandal smashing her car window to take some of her possessions and threats to call the police under the assumption that she must be a prostitute. Those assumptions reflect the overwhelmingly disparaging view that many people take toward the homeless, concluding that they either deserve it or must be drug addicts, sex workers, or some other group of people often branded as “lesser.”
Indeed, Beth herself is not free from those prejudices, as she works diligently to make sure her daughter, her brother, and his wife do not find out about her living situation. Her own self-shame adds another layer of difficulty to her life, and the film is honest about how difficult it can be to overcome such prejudices, even when they affect one as directly as Beth.
How long Beth has been homeless and searching for a job while her daughter lives with her brother is unclear. The story presented in the film feels entirely like a middle act with more backstory and a subsequent act to come when it is adapted into a feature film later this year—hence my calling it an extended trailer above. It is still very effective, with that middle act tightly told, moving from introducing us to Beth to building tension in the job interviews and altercations to the final exchange with her brother.
In their brief amount of screen time Kerr and Rapp convincingly portray a supportive yet not entirely close brother and sister, both of whom care about one another but are unsure how much to ask of the other. There is a natural chemistry between Kerr and Rapp, which should translate smoothly into a longer version of this story.
Scrap succeeds both as a promise of that feature length version, but also on its own both as a means of raising awareness for the homeless and as a challenge to reexamine any prejudices that we may harbor toward them.