Year of Release: 2014     Directed by Christopher Nolan. Starring Matthew McConaughey, Jessica Chastain, Anne Hathaway, Michael Caine, and Mackenzie Foy.

Since I never published anything here, I figured there was no time like the present to share my thoughts on Interstellar, a bold and beautiful piece of filmmaking that regrettably stumbles a bit towards the end.

For anyone who does not know the premise of Interstellar, it is as follows. When the future of the earth is severely threatened with dust storms and famine, former NASA scientist and now corn famer Cooper (Matthew McConaughey) is chosen to lead a team of astronauts into space to search for a new planet on which mankind can survive. Staunchly opposed to this mission is Cooper’s daughter Murph (Mackenzie Foy who grows up into Jessica Chastain), who fears she will never see her father again. Whether he succeeds, whether he returns home, and whether he sees his daughter again all take second place to the dazzling special effects and complex world building, until Nolan decides to shift gears in the final hour.

(Mild spoilers in the next paragraph; skip to the following one if you don’t want the ending hinted at.)

In response to the more disappointing aspects of Interstellar, I came up with a snarky dismissal which is unfair to the film’s ambition, scope, and stunning visuals, but it does convey my biggest problem with Interstellar. So here goes: apparently, it takes three hours and a black hole to accomplish what you can accomplish in five minutes with weeping angels and a TARDIS. Also, the main theme of the movie can be summarized more succinctly and just as thoughtfully by a famous Beatles’ song.

Okay, now that I’ve gotten that out of the way, I really did like Interstellar. A lot, actually. It is undoubtedly Nolan’s most ambitious film to date, and to watch him reach for the stars is breathtaking. The first hour and 45 minutes were just short of sublime, and I was thoroughly captivated by the stunning imagery, Cooper’s quest, and the dynamics between him, his daughter, the head of NASA (Michael Caine), and his fellow astronauts (led by Anne Hathaway). The relationships don’t rise that far beyond those of the standard Hollywood blockbuster. The eventual outcome of the mission is kind of obvious, and there is a big twist that I found easy to predict, but none of that bothered me. I was completely sold on the film.

Then shortly before the two hour mark, it started to go off the rails. When Hathaway made a big, important speech, Nolan tried to leave behind the puzzle making and science fiction, and tackle emotional and spiritual themes which transcend all else. It didn’t work. The scenes are too forced, the dialogue is too on the nose, and the scenarios aren’t original enough to rise above generic conventions the way Nolan wanted to.

By no means is the last hour bad filmmaking, but it falls back on tired formulas after the first two hours had pushed forward boldly and beautifully. Still, I would pretty highly recommend Interstellar; its triumphs more than make up for its flaws. If the film failed to reach Saturn, it at least made it to Jupiter.


Content Advisory: Violence and peril, brief strong language.                       MPAA rating: PG-13

Suggested Audience: Teens and up.

Personal Recommendation: B


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